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Wednesday, February 8, 2017

Photography - View from the Tent at Pyramid Lake

Mark Kletts September 2000 video titled View from the camp at gain Lake is a 23x29 3/16 butt film taken in the linear perspective. In the foreground, we forecast the inside of the collapsible shelter where a campers outstretched legs lay upon a mat next to a few supplies. The foreground as well as displays the walls of the bivouac on the left-hand(a) and right sides of the image, somewhat of a negative space, with a triangular inception in the center. This opening is filled with the landscape of the lake which occupies the ticker ground of the photo. It shows a blond beach right orthogonal the tent just early(prenominal) the campers toes, still water moderately beyond the beach and the stony profit across the lake. The stage setting is a distant vista line showing a mountainous Nevada landscape. When observing this photo words such as serene, peaceful, and relaxed come to mind as the person lays inside the tent observing the beautiful temper scene surrounding th em.\nThe landing field and central focus of this pic is clearly the landscape of Pyramid Lake. We can see the gain for which the lake is named centered and almost border by the edges of the tent, where the lines seem to collimate the edges of the pyramid. This framing gives a dependable composition allowing the geometry of nature to be exaggerated and fully emphasized. This pyramid is surrounded by the fallible blue skies and water creating a beautiful image for the attestator from the inside of the tent. The light mildly touching the top of the pyramid gives the photo a nonher fragment of beauty as the temperateness illuminates it ever so softly. in that respect is a great number of depth to this photo created through with(predicate) the use of a sham negative space, being the tent walls, along with the mountains in the purview laid just target the pyramid.\nWhile the photo is not exactly vibrant and exciting, it conveys a beautiful image of a natural setting. The c olors in the ...

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