Hawthorne’s The Ministers Black Veil †Solitude of the Protagonist and the Author :: Ministers Black Veil Essays

The looks Black Veil sex segregation of the Protagonist and the Author Isnt it more than coincidental that the protagonist in Nathaniel Hawthornes The Ministers Black Veil and the author himself ar both given to solitude and isolation? Literary critics seem to pay back to a consensus on the subject of Hawthornes preference for solitude. Edmund Fuller and B. Jo Kinnick in Stories Derived from New England Living state that Hawthorne was essentially of a solitary nature, and assembly life was non for him. . . (30) Sculley Bradley, Richmond Croom Beatty and E. Hudson Long in The Social check of a Public Man say that a young reality engrossed in historical study and in learning the sources craft is not notably queer if he does not seek society. . . . (47) Stanley T. Williams in Hawthornes prude Mind states Soon subsequently Hawthornes birth in 1804, circumstances intensified his innate Puritan characteristics his analysis of the mind, his somber outlook on living, his tende ncy to withdraw from his fellows (40). correspond to A.N. Kaul in his Introduction to Hawthorne A Collection of Critical Essays, the themes of isolation and dementia were peerlesss which Hawthorne was deeply preoccupied with in his writings (2). At the outset of the tale, The Ministers Black Veil, the sexton is tolling the church bell and simultaneously ceremonial Mr. Hoopers door, when suddenly he says, But what has good Parson Hooper got upon his flavor up? The surprise which the sexton displayed is repeated in the astonishment of the onlookers With one harmonize they started, expressing more wonder. . . The reason is this Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath is a black veil. The 30 year old, unmarried government minister receives a renewal of reactions from his congregation I cant really feel as if good Mr. Hoopers face was behind that piece of crape He has changed himself into nearthing awful, only by hid ing his face Our parson has gone mad Few could refrain from twisting their heads towards the door. . . . . . . more than one woman of delicate nerves was forced to leave the meeting-house. Hawthorne, after exposing the impress people to the sable veil, develops the protagonist through a description of some of his less exotic and curious characteristics